The Flute: Corrigenda

vi

Replace current caption with: Drummer and fifer from Leonhard Fronsperger, Von Kriegss Regiment und Ordnung, 1555

vii

For 1825 read 1824

3

for missf�lle read missf�llt

17

For Dorian, like the minor scale read Dorian, like the ascending melodic minor scale

For Aeolian, like the ascending melodic minor with natural 7th read Aeolian, like the natural minor

20

Switch dates to read (1989, 1979)

(see p. 39)

27

For Burgundy read Switzerland

36

For two octaves and a third read two octaves and a fifth

42

For feint less and less [lit. gradually] read gradually moderate it

Delete , as such the first in recorded history

43

For (1503) read (fl. 1499-1503, the earliest flute maker in recorded history)

For 1523-55 read 1523-44

For The Doge of Venice's three pifferi read Three pifferi of the Doge of Venice

46

For These few read These odd

48

For pitch read pitch of extant renaissance flutes

53

For C2 read C2 or C3

For C1 read C2; for C2 read C3

54

For contratenor read altus

57

After written pitch insert (sounding an octave higher)

58

For Pfifre read Phifre

61

Alters to the violent noise of a rolling thunder

For 1743 read 1745

65

For violas read treble recorders [if necessary substitute works for compositions in l. 8 and flute for instrument in l. 10]

For two octaves read an octave and a fifth

72

For 1674 read 1673

74

For outlook: he produced the first book of French Sonatas read outlook, if he produced the first book of French solo Sonatas

81

After in Ab insert (lowest note Bb) [b is music flat]

After in A insert (lowest note B)

82

For been played only in a languorous manner read been most familiar in a languorous role

85

For Messaah read Messiah

86

For obbligati read obbligato

89

For [between] read [among]

90

For 1762 read 1755

94

For 'Agnus Dei' read 'Benedictus'

96

For provided no separate fingerings read provided few separate fingerings

112

For G#, C# read G#, D#, C# [# is music sharp]

116

for pianoforte, part read pianoforte part

123

For [Christophe] read [Monsieur]

136

for evidently read indeed

137

for (1802) read (1804)

Indent lines 2-4 by 1 em (the paragraph is a quotation)

141

for 1837 read 1847

144

For 1825 read 1824

145

For obsolete read obsolescent

For suggested read proposed

147

para. 2, 3 lines up

For instrument read instruments

For right fifth read left fifth

For left thumb read right thumb

148

For 81 read 83

150

Bayr's other claim to fame was the ability to play several notes at once, which aroused such skepticism that he took the trouble to publish a multiphonics manual.

152

For 1720s read 1780s

160

for 1785 read a1785

161

remove extra line spaces and close up

169

Delete , while the keys for F# and D# both stood open rather than closed

170

Delete sentence beginning Also in 1833 and close up [loosen tight lines in para. 1 to regain the line lost by deletion?]

173

Delete in Paris and close up

180

For Eduard Heindl read Hans Haindl

185

For B/Bb read C/Bb (b is music flat)

189

For an 1867 flute with closed G# read an 1867 flute with open C# and open or closed G#

193

After (1882) insert a comma

After Heindl insert (1837-96)

200

For -entrpreneurs read -entrepreneurs

210

For self-contradictory statements read mutually exclusive remarks

212

For appearing almost immediately in a bilingual French and German edition in Hamburg (1795) as well as in thirty subsequent editions read soon appearing in a bilingual French and German edition in Hamburg (c1812) as well as in thirty other editions

For nothing read little

Delete only

For outlived usefulness of that material read outlived much of that material's usefulness

218

For 1912 read 1913

For a suite read ballet suites

220

For Another pupil, Adolphe Hennebains, reported read Moyse reported of another Taffanel pupil, Adolphe Hennebains

223

For of Taffanel's pupils read flutists

225

For a work of his own read Paggi's

For Remembranza read Rimembranze

233

For Divertimento read Divertimentos

For is an extremely read provide a

236

For English read British

For His colleague, oboist Eugene Goosens, read The conductor Eugene Goosens

For the oboist read Goosens

237

Add and three other titles before in Berlin

238

For Bb/Eb read Eb/Bb (b is music flat)

For a silver instrument read silver instruments

Insert before full point (alto flute)

253

For prevent the growing read hold back the budding

262

For need read needed

269

For Riedemeister read Reidemeister

272

ditto

For (1915 - ) read (1919-92)

For stokes read strokes

delete principally

277

For popoularity read popularity

279

For Prasana Bolanath read Bholanath Prasanna

For Guggenmusiken read Cliquen

281

For seems essentially to have ceased, since read has essentially ceased, because

282

NLI [TAB] William Waterhouse, The New Langwill Index (London: Tony Bingham, 1993)

284

For 1989-89 read 1989-98

ditto

Close up double slash in web URL

287

For 2/1929 read 1914 R/1929

291

For Art real Arlt

For 1984-8 read vols. I (1984)-III (1986), V (1988)

For Voices and Instruments, 192-9 read Music and Instruments, Ch. 10

292

For musicale de Tons, Sons et Accords read musical des Tons, Sons et Accordz

For a Neuf read à Neuf

Close up double slash in web URL

295

For Smith mistranslates the key verb faindre (to feint), so that her reading ('The Renaissance Flute' 18), 'for descending one must lessen it [the wind] little by little following the line of the music . . . ', mistakes the sense. read In the first printing of this book I translated the key verb faindre as 'to feint.' Although it sometimes has this meaning, I now think the context indicates that Smith's reading ('The Renaissance Flute' 18) is correct.

For fingt read fynt

297

For III, 137 read III, iii, 2

For III, iii, 7 read III, iii, vii, ii

298

For 28 read 18

For 29 read 19

299

For Riedemeister read Reidemeister

301

For French Flute School read Catalogue of French Works

For purlanetto read Furlanetto

304

For rubric read bibliographic essay

314

Replace current note text with Bayr, 1ter Theil der Schule für Doppeltöne auf der Flöte (Vienna: Author, n. d.)

317

For 1838 read 1839

325

For 7 read 4

326

For rubric above read bibliographic essay, paragraph 1

close up double slash in web URL

For McMcCutchan read McCutchan

330

For 51 read 54

331

For 1.4 read 2.4

332

For scale of the modern flute read Scale of the Modern Flute

Delete http:// and close up

335

For Florence read Verona

Correct to Arlt, Wulf, and move entry to come below Arita, Masahiro

336

Move entry to come below Barnard, Ernest

Add page reference 306

Move entry to p. 344 as Prasanna, Bholanath

337

Add page reference 304

338

Correct to Delusse, [Monsieur]

For 2100 read 210

Add page reference 42 between 39 and 294

340

Add entry for Graeff, Johann Georg, 119

Add page reference 180

After Eduard insert Martin; delete 170, 180,

342

Add entry for Lyons, Darius, 226

344

Correct to Reidemeister, Peter, and move entry to come below Reichert, Matthieu André

346

Add page reference 80 between 76 and 85